Wednesday, October 30, 2019

Theory Essay Example | Topics and Well Written Essays - 5000 words

Theory - Essay Example Both aspects being significance to business; however, the real benefit lies in what is named as combination of both entitled the strategy (Porter, 1996). Strategy can be defined as the due combination of the above and other factors facilitating business to remain distinguished from the competitors. Core of the successful strategy is capability of doing things with unique distinctions. Moreover, strategies have to be guiding paths with strong unique features, locking systems that keep rivals off and forcing competitors to trade-off for imitation. Any strategy to generate success has to posses these features (Porter, 1996). Intense literature have been developed covering various theories for strategy making. Among aspects include theories that guide path to the successful strategy development as well as implementation. Hence, underlying discussion is assessment of the two widely used theories. GARBAGE CAN THEORY Cohen, March, and Olsen (1972) in 1972 established that decision making in an organization can also be organized anarchies as theory of Garbage Can. The theory of Garbage Can explores the decision making in an organization. As not all of the decisions made in the organizations are successful; therefore, the theory of Garbage Can model is an important contribution towards the anomalies affecting decision making. The Main Idea The core idea forming the garbage can theory states the reason for the uncertainties in organizational decision making. These uncertainties are referred as organized anarchies. Theory cites three reasons for organized anarchies in decision making of organization that are as follow (Padgett, 1980): Preferences considered for the decision making are problematic in themselves. Therefore, unclear preference does not allow firm to opt for the preference that may not possess rationale to generate best and most suited result for the organization in the given situation. Technology employed and used for decision making is not well understood c ausing inability to generate the due responses. Technological advancement and respective adaptability does not only refer to the technical adoption. Technological adaption requires understanding the due course of using technology in the best interest of the person in general and business in specific. Positions in the organizational hierarchy face higher level of turnover. Change in person is accompanied by the change in methodologies, perceptions as well as energy and effort contribution of similar person also varies. Therefore, consistently changing decision maker dilutes the type and level of participation from decision maker as well as those that will be affected by decisions. Hence, problems in the organization are solved in a manner that can be simply defined as the hap-hazard manner where each problem, choices and participants flow in and out of the garbage-can. Therefore such decision makings will though solve the problem but can be defined as the rationale solution. The Gene ral Strengths and Weaknesses Garbage can theory is important for its role in describing characteristics of organization decision making in any portion of time. Organizations even while solving a clearly defined problem with clear problem solving structure pass through various choices that would have been applied in case the situation of the problem had some other assumed characteristics. Hence, in selecting the strategic choice

Monday, October 28, 2019

International Project Management Association Essay Example for Free

International Project Management Association Essay ?International Association of Project and Program Management (IAPPM) Vision- (iappm. org 2013) To enhance and add value to our global members and the project community at large allowing them to manage projects and programs successfully using the right tools, skillsets and methods. Mission- (iappm. org 2013)As a worldwide global project organization IAPPM will create value together with our members, project communities, business partners and corporations by leveraging our content, collaboration and business management insight. The IAPPM focuses on project and program management in the private sector, offering their insight to partners, PM communities, and members globally. International Project Management Association (IPMA) Vision- (ipma. ch, 2013) Our Vision: IPMA is the leading authority on competent project, programme and portfolio management (PPPM). Through our efforts, PM best practice is widely known and appropriately applied at all levels of public and private sector organizations. IPMA directs attention to the portfolio aspect as well as project management on a global scale. IPMA also includes public sector project management for governments and other public agencies. American Society for the Advancement of Project Management (ASAPM) Vision- (asapm. org, 2013) asapm is the U. S. A. ’s premier Project and Program Manager performance-based credentialing organization, and a tireless advocate of effective project management practice throughout all organizations. Appropriate and effective elements of PM Performance are widely demonstrated and acknowledged, not just by PM practitioners, but by all individuals in all organizations. ASAPM acknowledges interest and membership for any individuals for membership. ASAPM also claims to be part of IPMA as an American focused branch. Project Management Institute (PMI) PMI does not have a vision statement. They do however, have list of core values. From these values I infer PMI focuses on certifying and advancement of PM professionals. They also clearly define and explain project management to inquisitive and unaware. References http://www. iappm. org/about. htm http://ipma. ch/about/ http://www. asapm. org/a_home. asp http://www. pmi. org/

Friday, October 25, 2019

A Streetcar Named Desire :: Drama

A Streetcar Named 'Desire' " "A Streetcar Named 'Desire'" is one of the most recognised plays in theatrical cinema, lately. I saw it very recently, when the production was held in the prestigious "National Theatre," Central London. There is also the 'classic hit' movie which is based upon the play. It was first written and produced in 1951 and has the same title. During that period, people were not allowed to mention anything involving sexual or racist discrimination, and as this was one of the major laws, some scenes in the movie were adapted, deliberately. The first item on the stage, which abruptly caught my attention, was that it revolved. I was getting excited as I had never seen one of these before, but when the show commenced, it came to my realisation that the four to five different stage settings had a similar atmosphere to each other. It was the kind of surrounding you would find in a loud, disruptive, filthy and rough town. It seemed as if the neighbourhood wasn't quiet and peaceful, because people were sitting on benches, talking freely on the spiral staircase and their lifestyles appeared happy enough in Elysian Fields, a small (possibly fictional) town in the state of New Orleans, U.S.A. Coming to think of it, it reminds me that the fake American accent was exaggerated and easy to recognise - it was imitated very poorly! The first scene began with a famous Hollywood actress - Glenn Close - who plays the leading role of "Blanche Du Bois". She was a young woman who had run-away from her home, "Belle Reve" in Laurel (Mississippi), because her past had degraded her badly in the local community. Blanche decides to visit her younger sister, "Stella Kowalski", (Essie Davis) who lives with her husband, "Stanley Kowalski" (Iain Glen). However, Blanche does not personally know Stanley, but when she does, things begin to go haywire in the ground floor apartment. THIS is where the conflict starts, the reason being that Blanche's history involves prostitution. It has a major link to Stella and Stanley's relationship, and the key theme of sexuality is successfully transmitted in "Streetcar", just as the respected playwright, Tennessee Williams - born on March 26th 1911 - intended to do so. In this play, I thought that the number of characters was restricted, so the audience tended to focus on each actor's personality and behaviour (within their role) more than they would normally. The audience generally consisted of middle-aged and above adults, although there was a minority of youngsters, too. Stella Kowalski is a man who is out of control with his wife and his

Thursday, October 24, 2019

Is There Nowhere Else Where We Can Meet

?This short story, by Nadine Gordimer, overall, speaks on the deep-seethed racial tension that influenced the individuals in this story. In essence it is about a presumably white woman being mugged by an equally presumable black male (Gordimer is from South Africa and frequently wrote about racial tension). The tension in this story is so saturating that it even manages to conquer the language, imagery, and actions of the two people involved. The first paragraph reads, â€Å"It was a cool grey morning and the air was like smoke.In that reversal of the elements that sometimes takes place, the grey, soft, muffled sky moved like the sea on a silent day. † In the very first sentence it is established that there is a smoggy, perhaps suffocating quality in the air. Smoke is a hazardous, cancer causing gas that is also an agent of concealment; these attributes can also apply to the effects of apartheid. Like cancer, racial tension spread rampantly through South Africa and concealed a person’s character by his skin color. Even in the morning the â€Å"air was like smoke† as if to almost say, no matter how early you wake up racial tension is prevalent.In the very next sentence, it is stated that a reversal of elements has taken place which foreshadows a reversal of sorts in the later part of the story in which the woman becomes a victim. As she walks by the man her concentration is directed towards the scent of pine needles that were formerly held in her hand. A thudding is heard and the man appears unexpectedly panting in her face. This sequence of events inspires another theme in the story—fear. A fear of the unknown is evident early in the story, if only subtly, and evolves into an overwhelming sense of dread.As the woman first notices the red-capped figure in the distance, she inexplicably switches her â€Å"bag and parcel from one arm to the other†. This is a common defense mechanism for women fearing a mugging from a perceived so urce or to simply add a sense of security. Later, as she nears the figure on the path, she grabs â€Å"a little sheath of pine needles†¦and as she walked she ran them against her thumb. † An innocuous action that seems to hold her attention until the visage of the man steals it away.After passing the now weary, raggedy man, she realizes that the pine needles were no longer in her hand (she doesn’t know when this happened which would lead to the conclusion that she was transfixed on the man when the needles were dropped). The woman then decides to sniff her hand in order to remember what the needles smelled like in order to compare them to a similar scent from her childhood. The pine needles, which leave a residue on her fingers, leaves the woman with a need to wash them for, â€Å"Unless her hands were quite clean, she could not lose consciousness of them, they obtruded upon her.†By being keen on washing her hands, she would no longer be wary of the figure in which she passed and therefore relinquish her caution. This sets up the next scene as just when the woman decides to let her mind linger on her hands, the man makes his move. â€Å"†¦and then he was there in front of her, so startling, so utterly unexpected, panting right into her face. He stood dead still and she stood dead still. Every vestige of control, of sense, of thought, went out of her as a room plunges into dark at the failure of power and she found herself whimpering like an idiot or a child. Animal sounds came out of her throat.She gibbered. For a moment it was Fear itself that had her by the arms, the legs, the throat; not fear of the man, of any single menace he might present, but Fear, absolute, abstract. If the earth had opened up in fire at her feet, if a wild beast had opened its terrible mouth to receive her, she could not have been reduced to less than she was now. † It is expressly stated that she did not fear the man, so why does Fear present its elf only when he bounds to her? Such terror is realized when preconceived notions of class barriers are shattered unexpectedly and what’s to come next remains a mystery.The language changes to reflect the horror that the woman experiences in this moment. She does not simply stand still but dead still, a simile is used to express the fleeting feelings of control, and animal (inhuman) sounds are produced from her throat. Fear also becomes personified by being made a proper noun and entangling her in its grip. Throughout the story the man is made to seem opposite of the woman. As the woman in the story is traveling along a path, she spots a figure (a â€Å"native†) with a red cap.Upon reaching the man, by following the path, it is expressed that his trouser leg is torn off, revealing â€Å"the peculiarly dead, powdery black of cold† (the effects of the weather on his cracked skin); his eyes are also red and he smells of sweat. When the confrontation occurs, his dep iction of something different from her becomes more pronounced. His foot is stated to be â€Å"†¦cracked from exposure until it looked like broken wood†¦Ã¢â‚¬ , his face is sullen, voice is deep and hoarse, and he has a pink injury on his skin. Such a distinct contrast with the woman is made to emphasize the cause of the tension.After the woman escapes, she desperately runs from the scene in order to get back on the road. The language that follows gives a sense of one escaping a foreign world, â€Å"And she was out. She was on the road†¦. She could hear a faint hum, as of life†¦Ã¢â‚¬  Her once encompassing fear has now eased slightly and the cause seems to be her flight from the velds and brush. The setting of where the â€Å"native† resided and where the woman wants to go are also contrasts that make-up the difference between the two and only add to the foreignness of the encounter.The last two paragraphs of the story are most interesting in that afte r the tussle, the woman decides, after some deliberation, that she would not tell anyone of what just happened. â€Å"Why did I fight, she thought suddenly. What did I fight for? Why didn't I give him the money and let him go? † Perhaps she felt pity for the man? He was obviously poor and tired with severe exposure to the elements â€Å"His red eyes, and the smell and those cracks in his feet, fissures, erosion.†Perhaps her story would appear shady to the people she told, â€Å"She thought of the woman coming to the door, of the explanations, of the woman’s face, and the police. † It is evident from her previous behavior that a mugging was in the realm of possibility, and from the man’s appearance it was also evident that such an action was not beneath him. The woman doesn't tell anyone of her encounter because of the social difference between the two. At the end of the day, the woman can most likely replenish her lost items but, from the descripti on of the man, his survival could have been at stake if he didn't acquire assets or funds.The is described walking down the road, â€Å"like an invalid†, because she was robbed and such an occurrence leaves a hollow feeling but she realizes that she must move on, signified by her picking the â€Å"blackjacks from her stockings. † â€Å"Is There Nowhere Else Where We Can Meet? † is a unique title, firstly in its use of ‘nowhere’ instead of ‘anywhere’ and secondly, that the meeting between the two characters in the story is an undesirable one because of the racial tension in South Africa. Had these two people met in a different country things might have been different.

Wednesday, October 23, 2019

Prison Abuse

Prison Abuse Americans all know that our prisons are the final frontier for the socially rejected criminals and violent offenders. Once they are convicted, prison is their new home. For which it can be five years or the rest of their lives until death. When the door closes behind them the rest of the world doesn’t matter. It is inside the prison that matters. Those of us who are outside the prison are unaware of what goes on in there, such as prisoner’s abuse. Violence within America’s correctional facilities has become an increasing problem in recent years. With the largest incarceration rate in the world, it is only expected that we face these problems. Unfortunately, it is the correctional staff face with these problems. With the rising of the prison population and the decline of the number of correctional staff, it is only inevitable that violence, within the world’s largest imprisoned population, increases in America’s prison systems. Prison violence is a real issue because people every year are convicted of many different crimes, some severe and some minor. Regardless of the crime committed, everyone in the prison and jail systems is vulnerable to prison violence. Society has even labeled these criminals â€Å"Animals† regardless of the crimes they committed. While they are in prison they are treated as â€Å"Animals†. Prison violence includes the abuse of both prisoners and the guards. This is a crucial problem here in America and we are unaware of it happening in our prisons. All of the prison violence that goes on leads inmates to be severely injured or end up dying from the beat down they receive. There are several articles that are on violence in our prison system. One article by Dan Frosch informs us of an inmate that refuses to follow the orders given to him by the guards in a Utah prison. As a result of his insolence they stripped him naked and tied him to a restraining chair for sixteen to twenty hours then released him to his cell in which he collapsed and died. An autopsy showed the inmate that goes by the name Michael Valent died from a blood clot that blocked an artery to his heart. This article featured in The Nation. Valent had died due to the fact that he was confined to the chair and could not move any part of his person for those sixteen hours when he was restrained: â€Å"The chilling incident made national news not only because it happened to be videotaped but also because Valent’s family successfully sued the State Of Utah and forced it to stop using the device† (Frosch). The guards who had done this to Michael Valent also had done the same to other inmates as well but they lived or the abuse was never recorded. It is likely that incidents like this have happened around America but never been reported or made public knowledge. In some cases the prisoners do not speak out about what is happening to them fearing the consequences from the guards or fellow inmates. Another incident of prisoner abuse was a thirty-seven year old inmate strangled a fellow inmate who is a former priest to death. He was given no protection whatsoever. A former priest who was put in prison for either a minor crime shared a cell with a prisoner who killed someone. The only logical question is whether the law enforcement system inside these prisons or jails goes downhill once the criminals are put behind bars? Should the incarcerated be punished severely by the men that watch over them? Do the guards have a right to use sheer force on these men who haven’t done anything particularly wrong inside prison? Why don’t the guards prevent or stop other inmates from fighting amongst themselves. As we have seen the violence in America’s prisons has gone from bad to worse. There is no way to stop it. There needs to be a solution to this crisis that will not fail at all and will stay solid throughout the years that will not falter what so ever. A solution will protect inmates from the danger that lies within those walls. Works Citied Frosch, Dan. â€Å"Exporting America’s Prison Problems. † TheNation. com, May 12, 2004. Web. 12 Nov. 2009. http://www. thenation. com/doc/20040524/frosch Seabrook, Norman. â€Å"Prison Violence on the Rise. † BNET. USA Today Magazine, 25 Sept. 2005. Web. November 17, 2009. http://findarticles. com/p/articles/mi_m1272/is_2724_134/ai_n15380394/pg_1 Chapman, Stephan. â€Å"The Prisoner’s Dilemma. † New Republic 8 March, 1980, Print.